Tukaram - 17th century Marathi poet of Dehu, India.
 
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‘Anandowari’ is an important Marathi novel written by Late Di.Ba.Mokashi.Tukaram, as all of us know, was one of the most important Marathi saints from the Varkari Parampara. He resided at Dehu, near Pune.The Vitthal Temple in his house at Dehu, had an ‘Owari’ or ‘Verandah’ outside it. This ‘Owari’ was known as ‘Anandowari’. Saint Tukaram wrote his verses on this ‘owari’. This place was a witness to most of Tukaram’s life. The protagonist and narrator of this play is‘Kanhoba’, Tukaram’s younger brother. The moment, at which the play starts, ‘Tukaram’ has disappeared as usual. He is possibly lost in some deep spiritual, philosophical trance, which used to happen quite often. Kanhoba used to go in search of his brother on such occasions. However this time he is not able to find Tukaram at the usual places. Kanhoba gets worried. He gets frantic with the thought, that this time he may have ‘lost’ Tukaram forever. While searching for Tukaram, Kanhoba starts recalling the spiritual journey of his brother. He tells us about Tukaram’s life, his sensitive, revolutionary poetry and their relationship with each other. While narrating, Kanhoba, himself a sensitive poet, also throws light on the social conditions, fundamental, philosophical and social issues of that period. Through this narrative, we come face to face with many perpetually important philosophical and social questions and also come to realize the validity of Tukaram’s thought even today.

 
Credits –
Writer – Di.Ba.Mokashi
Editor – Vijay Tendulkar
Script, Music design and Director – Atul Pethe
Sets – Makarand Sathe
Lights – Shrikant Ekbote and Shivaji Barve
Costumes – Shyam Bhutkar
Music – Ashok Gaikwad
Players – Ashok Gaikwad, Upendra Arekar, Atul Pethe
Production Asst. - Anand, Ashwini, Dhanesh, Pratik, Kausthbh, Shraddha,
Gayatri, Shweta
Back Stage – Pradip
Calligraphy and Photographer– Kumar Gokhale
Special Thanks – Dr.Sadanand More, Prof.Ram Bapat, Gajanan Paranjape,
Meghana Pethe, Jagar and Samanvay Natya Sanstha, Pune.
Production Incharge – Dheeresh Joshi
Sutradhar – Prasad Vanarase
Produced by – Abhijat Rangabhoomi, Pune
Cast - Kishor Kadam
Play time – One hour and forty minutes without interval.
Language - Marathi
 
This play had possessed me for the last 13 years. The story of Tukaram is rendered with a very different perspective in it. The play gives an intense portrait not only of Tukaram the man, but also of the restlessness of a creative and rebellious person. Kanhoba, Tukaram’s younger brother seeks to understand and describe to us this different Tukaram, and it is very easy for us to relate to both of them.
 
The play raises questions related to our lives and makes us introspect. It explores pains and agonies of human life. Tukoba was a person like us, but witnessing the pain and joy of life, he is transformed. While living amongst people, he becomes different from them. He begins to look for the meaning of a true life, thinking that this world needs to be renounced, he begins to explore quite an other domain. His brother Konhoba, however, continues to be a part of worldly activity, explores its complexity. I have always found this interesting.
 
In ‘Anandowari’, Kanhoba tells us about himself and his family. The language of the original novel is very lyrical and intense. This was a challenge while dramatising it. Even though there is a single character speaking, this is a conversation with several characters, and with himself. It moves freely between the past and the present. Nature plays a pivotal role in this play.
 
We come across rivers, barren moors, jungles, farms, temples and various moments of the day and seasons. We have tried to explore the space and time with set design, lighting, costume and music.
 
I found that I could raise, as in all my previous plays, questions of human life and its complexities. I experienced the deepest shades of philosophical and social questions in it. It was worth exploring the possibility of relating and reinterpreting this rebellious character to our present day situation.
 
About the Director –
Atul Pethe is a director, writer and actor of repute and is associated with theatre for more than twenty years. His ‘Waiting for Godot’ received international recognition in Prithivi International Theatre Festival in 1995 and ‘Surya Pahilela Manus’, which featured Dr.Shreeram Lagoo, is regarded as one of the path breaking plays on the Marathi Stage. It received recognition in NSD’s first national festival in 1999.‘Premachi Goshta’ which featured Dr.Shreeram Lagoo and Nilu Phule was also widely acclaimed in Nandikar Festival, 1997.Last year, he was adjudged the best director for the play ‘Ujalalya Disha’. He now heads his own Audio-Visual and Film production company.
 

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